A vicinity of autoethnographical channels housing ongoing solitary, self-emancipatory praxises that stage an encounter with the world and with oneself.
THE COSMIST THOUGHT
SHE WOKE UP DEAD.
NEON PISS,
WATER STAINS
-FROM THE THIRTY-FIFTH FLOOR.
-FROM THE THIRTY-FIFTH FLOOR.
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Some things transcend culture. Su is interested in these very things: subjective experiences, death, and the concept of immortality.
Through an early cultivated solitary praxis that shaped her relationship to death, informing both her existentialism and veganism at a young age, Su Türktekin Özdemir (2000), is a first generation Turkish-Canadian anarcho-futurist and syzyologist interested in the very things that transcend culture: subjective experiences, death, and the unifying concept of immortality. She uses methods of autoethnography and pointedly cosmist themes of existentialism, alienation, and defamiliarization to discourse subjective experiences, philosophically engaged dialectical critique, and the relationship between social and cultural resistance movements that hold an anti-death affinity.
Through an early cultivated solitary praxis that shaped her relationship to death, informing both her existentialism and veganism at a young age, Su Türktekin Özdemir (2000), is a first generation Turkish-Canadian anarcho-futurist and syzyologist interested in the very things that transcend culture: subjective experiences, death, and the unifying concept of immortality. She uses methods of autoethnography and pointedly cosmist themes of existentialism, alienation, and defamiliarization to discourse subjective experiences, philosophically engaged dialectical critique, and the relationship between social and cultural resistance movements that hold an anti-death affinity.